Employing the silhouette of a mouth-blown, ochre hand stencil – an abstracted symbol, resplendent in a cosmic variety of colour and gradients – Rennie brings together the ancient and the modern in a way that speaks volumes of his worldview and, most significantly, his regard for selfhood and belonging in contemporary life.
8 October 2015 – 17 January 2016
Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Islander Art
Art Gallery of South Australia
North Terrace, Adelaide, Australia

Installation images courtesy of Saul Steed for the Art Gallery of South Australia